As for The Brementown Musicians, I have settled upon a format that I really enjoy for my props list. In one spreadsheet, I keep a front page of the props list, followed by my working budget, and then by build calendar.
The Three Musketeers was mostly a pull show, so the props list was simplified to mostly track item turnovers between characters.
Little Women was my first show as a props manager in college. I worked off of a similar format I had been using for years, aside from adding color to make sections stand out more.
The final for TD 2 was taking a design for Don't Let the Pigeon Drive the Bus! and completing the entire technical direction process from drafting to scheduling.
This is a stage manager's masterbook template I created as a jumping off point for the Theatre Education Majors.